![]() He soon graduated from player to Dungeon Master, the leader of his little troupe of role-players. Petersen was as immediately smitten with Dungeons and Dragons as he had been with Lovecraft. And then there came a new obsession: Dungeons and Dragons.ĭuring his first year at Brigham Young University in the mid-1970s, a friend introduced him to the brand new game via a copy of the rules he’d borrowed from one of his professors. Petersen spent years hunting down the stories and learning about the man, treating each new piece of the puzzle as a revelation. ![]() ![]() ![]() Most of his works were available, if at all, only in editions from the tiny independent publisher Arkham House. It wasn’t as easy to be a Lovecraft fan in those days as it is today. Lovecraft remains his favorite author to this day. It was the perfect book at the perfect age, and he was well and truly smitten. Petersen felt like one of Lovecraft’s many gentleman-scholar protagonists, encountering a musty old tome that offers a gateway to another world. With their strange diction and their sinister air of otherworldliness, they might as well have been dropped into his father’s library from outer space. Petersen had no context for the book - no knowledge of the man or his times, no preconceptions whatsoever. It was an Armed Forces edition of Lovecraft, one of many hundreds of titles printed cheaply on pulp paper and distributed for free among the soldiers and sailors fighting in World War II. Poking around his father’s library as a boy in the 1960s, he came upon a battered old paperback called The Dunwich Horror and Other Weird Tales. Lovecraft in the most perfect way imaginable. ![]()
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